Mozart Essays (1064 words) - Mozart Family, Operas, Freemasons

Mozart Mozart, Wolfgang Amadeus Outline Click to view outline and jump to a section. I. Introduction II. Mozart's Musically Precocious Childhood III. A Difficult Later Life IV. Evaluation I. Introduction Print section Mozart, Wolfgang Amadeus (1756-91), Austrian composer, a centrally important composer of the classical era, and one of the most inspired composers in Western musical tradition. Born January 27, 1756, in Salzburg, and baptized Johannes Chrysostomus Wolfgangus Theophilus Mozart, he was educated by his father, Leopold Mozart, who was concertmaster in the court orchestra of the archbishop of Salzburg and a celebrated violinist, composer, and author. II. Mozart's Musically Precocious Childhood Print section By the age of six Mozart had become an accomplished performer on the clavier, violin, and organ and was highly skilled in sight-reading and improvisation. Five short piano pieces composed by Mozart when he was six years old are still frequently played. In 1762 Leopold took Wolfgang on the first of many successful concert tours through the courts of Europe. During this period Wolfgang composed sonatas for the harpsichord and violin (1763), a symphony (1764), an oratorio (1766), and the opera buffa La finta semplice (The Simple Pretense, 1768). In 1769 Mozart was appointed concertmaster to the archbishop of Salzburg, and later in the same year, at La Scala (Milan, Italy), he was made a chevalier of the Order of the Golden Spur by the pope. He also composed his first German operetta, Bastien und Bastienne, in the same year. At the age of 14 he was commissioned to write a serious opera. This work, Mitridate, r? di Ponto (Mithridates, King of Pontus, 1770), produced under his direction at Milan, completely established an already phenomenal reputation. The Mozarts returned to Salzburg in 1771. Hieronymus, count von Colloredo, the successor to the archbishop of Salzburg, who had died while the Mozarts were touring Italy, cared little for music. Mozart's appointment at Salzburg, however, proved to be largely honorary; it allowed ample time for a prodigious musical output during his next six years, but afforded little financial security. In 1777 Mozart obtained a leave of absence for a concert tour and left with his mother for Munich. III. A Difficult Later Life Print section The courts of Europe ignored the 21-year-old composer in his search for a more congenial and rewarding appointment. He traveled to Mannheim, then the musical center of Europe because of its famous orchestra, in hopes of a post, and there fell in love with Aloysia Weber. Leopold promptly ordered his son and wife to Paris. His mother's death in Paris in July 1778, his rejection by Weber, and the neglect he suffered from the aristocrats whom he courted made the two years from Mozart's arrival in Paris until his return to Salzburg in 1779 one of the most difficult periods in his life. While at home Mozart composed two masses and a number of sonatas, symphonies, and concertos; these works reveal for the first time a distinctive style and a completely mature understanding of musical media. The success of Mozart's Italian opera seria Idomeneo, r? di Creta (Idomeneo, King of Crete), commissioned and composed in 1781, prompted the archbishop of Salzburg to invite Mozart to his palace at Vienna. A series of court intrigues and his exploitation at the hands of the court soon forced Mozart to leave. In a house in Vienna rented for him by friends, he hoped to sustain himself by teaching. During this period Mozart composed a singspiel (a type of German operetta with some spoken dialogue) called The Abduction from the Seraglio, which was requested by Emperor Joseph II in 1782. In the same year Mozart married Constanze Weber, Aloysia's younger sister. Unending poverty and illness harassed the family until Mozart's death. The Marriage of Figaro (1786) and Don Giovanni (1787), with librettos by Lorenzo Da Ponte, while successful in Prague, were partial failures in Vienna. From 1787 until the production of Cos? fan tutte (All Women Do So, 1790, again with a libretto by Da Ponte), Mozart received no commissions for operas. For the coronation of Emperor Leopold II in 1791 he wrote the opera seria La clemenza di Tito (The Clemency of Titus; libretto by Metastasio). His three great symphonies of 1788no. 39 in E-flat, no. 40 in G Minor, and